How to Leverage a Facebook Presence for your Business

 

How to Leveage a Facebook Presence for your Business

It’s not a secret that Facebook is a huge part of the Internet. Or that it’s easy to waste a boatload of time browsing through everything shiny, funny or bizarre people post in Facebook. So how does Facebook affect you, the filmmaker, actor, business owner, etc. when it comes to establishing an effective marketing plan? How do you use it to help you get found online?

Leveraging something like Facebook isn’t as hard as it might seem. You don’t actually have to be an expert in anything but your own company. You do, however, have to know WHERE to put your content INSIDE Facebook.

Actually, I’ve found that the hardest part of showing up online to relevant audiences is creating the content. But that’s a whole other story. Back to Facebook. You probably already know all about your company already, right? You’re all set. Here’s your best option:

Facebook Page IconCreate a Facebook Page that talk about your business. Fill it out completely. Then talk about stuff on the Page that your audience would be interested in, using the words they would use to search for the stuff you talk about. Keep talking about it, at least once a week. Include something visual, like a photo or video. That’s about as simple as I can make it.

Why a Facebook Page (Likes) as opposed to a personal profile (friends)? One really good reason. The personal profiles aren’t public, so Google can’t index them. So they don’t show up in search results (beyond your name and anything you’ve made public).  Pages, on the other hand, are completely open to Google by default because Facebook Pages were built that way. To show up. Yeah, Pages come under the category of “Marketing.”

Categorize your personal profile into the same area you’d put your email. Classified, high security, approved-access only. Does Google index your email? Nope. Same thing for your personal Facebook Profile.

So if you want to leverage Facebook for visibility, create a Page and fill it out completely,  Let Google do it’s magic by indexing it. Meanwhile, develop your content strategy (because Google can’t write content for you…).

You’ll need some other tools. An email newsletter to gather contacts in a central place and stay in touch with customers/interested prospects. A blog to help feature your content and provide a hub for your search strategy. A team of people to write content (time consuming – you’ll need help). Video.

But start with Facebook and you’ll soon be found. Well, as long as you keep creating content. Like I said, that’s probably going to be your biggest barrier. For help creating content for your enterprise social media strategy, contact me and I’ll introduce you to the tools I use. If I haven’t written about it by the time you read this blog post, anyway!

Adobe Premiere Pro CS6 vs. Apple Final Cut Pro X Workshop Preview

The Association is extending it’s Canon camera classes by presenting an extensive, day long workshop, teaching filmmakers how to choose and use the next generation of editing programs with their DSLR camera. The day will be split up into two separate workshops, covering two separate editing programs: Adobe Premiere Pro CS6 and Apple Final Cut Pro X. At this point the workshop will be in July 2012 in Burbank, CA. Stay tuned for the exact date or sign up for our newsletter RSS feed here on this blog.
Each class will go over a wide range of topics, participate in hands on-demonstrations, and in-depth explanations.  The goal is to host a fun, informative, and comprehensive tour of each editing system and how it will benefit you as an editor. These workshops are designed from the ground up to be accessible to beginners as well as thorough training for professionals.
As we gear up for the editing workshop, we wanted to show you the basic breakdowns of each editing system, how they fair on their own, and how they hold up against each other. Each of the three tables display the purpose of the tests, details about the respective programs, and a color code to help give you a visual representation of the information.
Color Code:      Green: Easy    Yellow: Moderate    Red: Hard

Difficulty Chart FCPX vs Premiere CS6

Features of FCPX vs Premiere CS6

Pros and Cons FCPX vs CS6

If you’re having a tough time deciding on what program to adopt, come and participate in both our workshops. There you’ll get a good understanding of the programs, helping you to make an informed decision.

 

 

 

 

Adobe Premiere Pro CS6 vs. Apple Final Cut Pro X

Adobe Premiere Pro CS6:
Adobe Premiere Pro CS6
Just recently updated this year, the new Premiere Pro CS6 has benefited from an improved user interface, hardware acceleration boots, and new features.  There are a lot of things to like about this upgrade. It’s less cluttered, faster, and completely compatible with After Effects and Photoshop CS6. Shortcuts and controls have been overhauled to include FCP7 and Avid setups, and nice little tweaks to speed up your workflow.
There are some great additions to the software such as the new Warp Stabilize feature (which works great) and the ability to work natively in RAW formats from the Arri Alexa, Red Epic, and more.

However, the ease of use and performance has been and is still an issue with Premiere Pro, though much improved. Rendering and exporting is considerably slower than other editing systems despite the improvements made. It also tends to crash occasionally which can be quite annoying. The auto-save feature is great for this reason, but intrusive pop-ups can cause headaches when you’re in another window and every 10 minutes it launches Premiere Pro to the front just to say it was auto saved. There’s no way to turn it off either, so you just have to deal with it.
Overall, despite the occasional headaches and performance issues, this version of Premiere Pro is much improved with some excellent new features, customization and tools. Therefore, I highly recommend this program.
Need more information? Come to the Adobe Premiere Pro and FCPX Workshops with expert Larry Jordan on July 28th.
Apple Final Cut Pro X:

Last year, Apple released Final Cut Pro X, the new successor to its world renowned video editing platform. While the initial impressions were positive, once released, the editing world flipped out and denounced the new version as nothing more than an ‘i-Movie Pro.’

Good news, though! Apple addressed many of the issues editors were having, such as the lack of Multi-Cam editing and FCP7 file support. Since then, people have been slowly coming to terms with the drastic changes and even embracing them.
Final Cut Pro X is faster and more powerful, easier to use, taking the traditional approach to editing and turning it upside down. The user interface is clean and modern. Tools and important features are easy to access and the file management system is smart and intuitive.  One of the biggest features is the Magnetic Timeline and the ability to move tracks anywhere and the rest of the sequence will adjust to wherever you want without having to move other footage around first. Here’s a clip from YouTube of the Final Cut Pro X Sneak Peek on April 11, 2011 that includes a preview of the Magnetic Timeline at 9:15.

Also the auto analysis features for audio, stabilization and color are top notch. Combined with its ability to edit in native formats and background editing, FCPX is a very capable editing platform.
There are still issues to resolve however. Despite having a wide range of features and effects, the lack of third-party plug-ins for FCPX is disturbing. Also the complete lack of OMF support is outrageous for those of us that work with Audio engineers and they want to get their work to us in the highest quality. While these may not bother the average editor or filmmaker, to the pros this is almost a death sentence.
At the end of the day, Final Cut Pro X is an extremely polished, well thought out program that deserves our attention. It’s excellent performance, compatibility, and features, make this a serious option for filmmakers. So I also highly recommend this program.
Need more information? Come to the Adobe Premiere Pro and FCPX Workshops with expert Larry Jordan on July 28th.

What’s your experience with these two tools? Let us know in the comment box below, or share with us on Facebook.

 

Error-Free Voice Recording Services for Telematics Applications

Although we are famous for our Canon Boot Camp, there’s a “secret” aspect to The Association few know about. A little niche and special talent where we really excel. We are the world leader in error-free voice over recording files for telematics applications.  For example, when you hear a voice in the Honda or Acura vehicles giving you navigation information, those voices belong to our carefully selected talent.  Clarion Logo
When Clarion and Microsoft were building their AutoPC, they came to us.
IBM Logo
When IBM wanted to build a “supervoice” they came to us. (10,000 voice files)
Cadillac CTS
When Cadillac wanted voices for their CTS, they came to us.
deCarta Logo
When deCarta wanted to have voices for their SDK application, they came to us.
Alpine Electronics Logo
We’ve recorded tens of thousands of voice files for Alpine in multiple languages for twelve years running.
And we teach computers to be better listeners.
When Honda wanted 40 people (from everyday life) recording 500 lines to train their computers to be better at voice recognition, they came to us for their voice recording services.
Basically, we’re very, very good at producing human voice files at Six Sigma level of quality (zero defects), This means our clients have no recalls, no embarrassing PR situations and no lawsuits for damages because an incorrect voice file told a driver to “exit freeway on the left” when there was no left exit. Or the sound file couldn’t be understood, or was confusing or a hundred other things that led to driver distraction which took the driver’s eyes off the road and hand off the wheel, violating NHTSA’s guidelines (and worse threatening the safety of the driver).
The “frontier days” of having the receptionist record voice files for navigation systems is over.  It’s the golden age of voice files and we want to offer our services to companies awakening to this event.  In the long run we are their least expensive choice because we take 25 more steps in the production process than the standard voice recording studio to insure all voice files are as error free as any other part in the car.
Contact us for a quote on any of your digital audio production needs.

 

Cypress College DP Clifford Lester Visits the Canon Boot Camp

Clifford Lester PhotographyCreating and putting on our Canon Boot Camps every month is a lot of work. But the little rewards we get along the way are worth it. While I originally started these Canon camera classes to provide training for filmographers, we’ve had the pleasure of meeting videographers from a wide spectrum of fields. More recently we’ve begun training still photographers in the ways of video. Many still photographers have access to the amazing video capabilities of the Canon HDSLR 5D and 7D; they just never unlocked the full potential from a lack of training.

Case in point: A Professor of Photography at Cypress College, Clifford Lester. Clifford was part of a select group of still photographers who attended the Palm Springs Photo Festival this past April, and took the Canon Boot Camp we delivered on April 3rd and 4th. Clifford was already an accomplished photographer, and has now obtained our Canon Certification for Canon HDSLR. Afterward Clifford emailed me and commented about the workshop. Although brief, it makes all the extra effort worth it:

Clifford Lester, D of P at Cypress College

Hi Fletch,

Just wanted to thank you again for a great workshop.  You and your team are a real class act!!  Thanks so much.
Clifford

June’s Canon Boot Camp will feature a segment on the Mark III, including answering the following questions:

1) What are the new compression schemes, ALL-i and IPB?
2) Can the Mark III really deliver 90 Mb/second?
3) What’s the blurring effect in the DPP software and is there a work-around?

We will also show some recent videos feature the Mark III’s low light performance. Don’t miss it! Our DSLR workshops are very hands-on and worth the investment.

Canon 5D Mark III ISO Preview #1 of 2

Over the past few years, the Canon DSLR 5D Mark II has been a run-away hit for the independent filmmaker. It was one of the first DSLRs to offer 1080p High Definition video, allowing it to compete alongside more expensive, traditional camcorders.

Now, four years later, the new Canon DSLR 5D Mark III has arrived and thankfully it hosts some upgrades to the video mode. With the more powerful DIGIC 5+ processor, moiré is reduced and the rolling shutter problems minimized. On the software side, encoding is more advanced, giving you options to record in a new, higher quality ‘All-i’ compression.
  • Moiré: When shooting a video that contains areas of repetitive detail , if it exceeds the resolution of the camera it will create a wavy moiré pattern or haze like artifacts.
  • Rolling Shutter: When shooting video on a DSLR, different portions of the frame are exposed at different times in relation to the than other portions. When the subject or the camera moves during exposure, the result is reflected in the frame as either skew, wobble, or partial exposure. This distorts your image and hurts the quality.

The 5D Mark III’s 35mm full frame sensor allows for shallow depth of field and relatively sharp picture quality. You also have full manual control over the way your video looks, controlling shutter speed, ISO, and more.

  • ISO: The measure of a digital camera sensor’s sensitivity to light. This effects the amount of noise and grain present in your video.

Canon 5D Mark III ISO Test

To determine the amount of noise present in each ISO setting, we created a series of tests on 5D Mark III’s sensitivity. For those of you who haven’t seen the results watch the video below.

1. First Impressions: After reviewing the footage for the first time, we had a near impossible time seeing any noise below 20000 ISO.

2. Results: Once we bumped up our levels and zoomed in 200%, we started to see that there is was at least some grain present in each ISO setting.

3. Conclusions: Native ISO numbers faired the best with 160, 320, 640, and 1250 showing the least amount of noise. Not that the other settings are bad, but I recommend avoiding them. ISO up to 6400 is usable but again stick with the native ISO numbers.

Another Canon 5D Mark III ISO test video is coming soon, this time showing the noise levels with the Noise Reduction feature turned on (Normal & High).

 

The Human to Machine Interface – Making the Computer a Better Listener

Voice Recordings Produced on a Six Sigma Production Line

Here at The Association we’re helping computers become welcome guests in a conversation.  For years we’ve recorded voice files to give more pleasant voices for computers to speak with.  Now we’re recording voice files to make the computer a better listener. Basically just understand us humans.
How? We record 50 people, men and women, young and old,  recording 400 typical responses to the computer’s questions. We schedule non-professionals – people who slur their words, or talk too fast, or too slow, or do all the hundreds of things computers don’t do.  Let’s face it.  If we spoke like computers computers could probably understand us. And that’s why when you say, “Volume up” the computer rolls up the windows.
Now our clients engineers can play voice files that say the same line 50 different ways to really polish their computers voice recognition prowess.  We’re not going to say who we’re working for but you’ll know them soon because they’ll have the cars that when you say “volume up” the volume will actually go up.

 

The Association’s Six Sigma Production Line

Nice Voice Recordings for Computers

The Association has become the world leader in voice files for telematics applications with their six sigma production line.  At the very beginning, years ago, we basically looked at everything that could produce a defective voice file and we put a production line in place to eliminate any defective variance.

The Association views its voice files just like any other parts that goes into a car.  Badly done voice files threaten the safety of the passengers just like a mechanical part.   For example, an incorrectly-named voice file prompts the driver to “Exit Freeway on the Left” when it should have played the voice file “Exit Freeway on the Right.”  Or perhaps a confusing voice file made the driver take his eyes off the road to check the map display at a crucial split second. These errors distract the driver from his primary task and threaten his safety.
We choose voice talent who are a pleasure to listen to.  Often the driver will listen to that voice more than their spouse. It’s got to be good…a voice you can rely on at seventy miles per hour on a rain-soaked freeway in a storm. And we record the files so they all fit together seamlessly to reduce the distraction of “Frankenstein voice files” that kind of jump all over the place in volume, pitch, speed, inflection etc..
We only pick professional voice talent who are stable and will be contracted to record decades into the future. They are booked exclusively for just one client.  Alpine and Honda have an appreciation for zero defect.  They are very committed to excellence in everything they do.  A six sigma level of quality in everything they do is what insures companies longevity and market share growth.  We think with the new NHTSA proposed guidelines will cause other users of recorded voices to rethink their approach to voice files.  It’s all about safety.   We want to get everyone home safe. That’s why the six sigma production line is in place. It’s important. At the end of the day, it does save our clients money, but most important, it protects the driving public.  That’s cool.
You can hear some of The Association’s seamless voice files at http://www.theassociation.tv/voice.php

 

I Only Wanted to Get Laid

I know the title of this article is a little crude.  Maybe I should have said it in a slightly lighter way as in “I was only looking for someone to love.”  But I find people want the unvarnished truth these days.  They’re impatient.  I prefer a little varnish now and then, but anyway you’re aboard and I appreciate you reading my drivel.  Now for more slightly off-color but hopefully amusing observations about our species, the internet, baseball, Robert Frost and TV commercials.

(Oh, by the way, I am not going to talk about long tail keyword research, although now that I  think about it I could have made a stupide comment like “researching tail” is a major occupation of the males of most species.

It’s also not about Direct Response Advertising although one could say that in the movie, “The Tall Guy”, there’s a fine example of Direct Response Advertising. In this hilarious movie, starring Emma Thompson and Jeff Goldblum, which is filled with tons of off-color humor and sexy scenes about finding someone to love, a spicy, British hooker asks Jeff Goldblum “Fancy a (f-word), big boy?” Jeff responds, “No, thanks. I just had one.” This is what direct respons advertising does. It states an offer very directly and asks for a direct response.  “Don’t put up with those unsightly zits one minute longer” or “Have Abs like this in 60 days. Order you abBlaster today”.  Direct Response Advertising goes right for the throat, or the pocketbook, or the psyche.

But back to finding someone to romance. This urge to entwine oneself with another has driven much of history’s famous and the rest of us as well.

Paris’ pursuit of Helen of Troy and King Henry VIII’s wife of the day are two famous examples.  At this royal/ political level, exposing this basic urge out of control is the media’s favorite pastime. Witness the smearing of President Clinton’s non-sexual relations relationship.  And the British seem to cherish the revelations that those “better than us” truly do have feet of clay.

Should only eunuchs run our government? I don’t think so.  I’d prefer one slimy, but eloquent, fast-on-his (or her)-feet, effective politician than ten eunuchs.  I hear eunuchs are filled with resentment. Gee. Wonder why. Maybe it’s because they’ve been deprived of their biological “agendas”.

This bio genetic urge which is imbued in most all of us guarantees the continuance of the species. Certainly it can’t be disputed that every single one of us is here because two people found a moment to do something other than work 24/7. And the animals who share our planet are at it too.  I’ve been watching two excellent BBC documentary series “Planet Earth” and “Life” (which has incredibly stunning video production utilizing the Cineflex helicopter mount and man other video production techniques) and it reaffirms that among most species on earth their lives are segmented as follows.

First, birth, followed quickly by eating or being eaten, followed eating some other animal or plant, then, looking for another to love (often with psychotic single-mindedness that can lead to, you guessed it, being eaten), and lastly, being eaten and or dying.

What’s not to like?

And so I think that many of the species, if they could talk, would admit just before they shed this mortal coil that as they look back on their life, one thing was a continually driving force.  “I only wanted to get laid.”

Oh, I may have left out a very brief part of that life arc. The part just after the realization by the male black widow spider, “Oops, I’ve had it” and the short moment he has to rapidly jot down some “notes to self” for his next lifetime, i.e. maybe getting laid any time, any where, with any black widow female should be postponed until I’ve at least had a little time to learn baseball, or learn to water ski or just hang out with my buds.

There was a quote from the famous poet Robert “the Iceman” Frost, who, by the way, was quite an athlete and played softball and tennis well into his eighties. We always see pictures of him when he was 218 years old but he was young and full of oats, too.  I call him the Iceman because a lot of people like the super-hero thing.

Robert_Frost
(above – Robert Frost, pic taken somewhere between 36 – 46 years old.)

He loved the Boston Red Sox and Ted Williams was his favorite hitter. http://www.thisisvermont.com/storyrobertfrost05.html

Anyway Mr. Frost loved competition, adventure and I love this quote:

Somewhere ages and ages hence:
Two roads diverged in a wood, and I —
I took the one less traveled by,
And that has made all the difference.

(from The Road Not Taken, Frost was 42 years old)

And so, as Spring approaches, we see all of nature moving toward that primal theme to renew life. And I urge one and all to consider for a moment (between twittering and texting) bringing a little love into the world they live in….not just the “taking” kind of love but the “giving” kind as well.

And I’ll close with one more quote from Robert “the iceman” Frost:

Earth’s the right place for love:
I don’t know where it’s likely to go better.
(from Birches, Frost was 46 years old)

In my next blog I promise to talk about things that really matter like Optimized Market Research, TV Commercials, getting training in the Canon 5D, and having an effective marketing (non-marketing) plan for the internet. Funny enough, I think most of all this has to do with our desire to have somebody love/appreciate/admire us.  Think about it. We perform optimized market research so that our clients will sigh when they see the results we got them.  And if our  TV commercials drive leads in like salmon heading upstream, we fell pretty good. Helping someone get their web presence really working for them after they’ve spent years trying and failing….that really makes one feel good, too. Of course we charge for our services but the real payback is that smile on our customer’s face.

And that’s why The Association’s here… in the end. Well that and to amuse you with half-baked humor.

Zero-Defect Voice Files the Next Standard of Excellence?

NHTSA Logo
The new NHTSA Driver Distraction Guidelines make zero defect voice files more important than ever.  What are zero defect voice files?  At a minimum the voice file must be correctly recorded and labeled.  For example, if a misnamed voice file prompts the driver to “exit left” off the freeway when it should say “exit right” the company could easily become liable in million dollar lawsuits and expensive and embarrassing recalls.
NHTSA is expanding its initiative to reduce distractions from the driver.  This means they want the driver’s eyes on the road and his hands on the wheel. And that means the computer’s voice in the car must speak to the driver clearly and correctly in the split second world of freeway travel to get the driver safely to the destination.
The Association has produced more zero defect voice files than anyone else in the world. The zero defect standard was put in place and perfected when The Association first began recording voice files for Alpine.
Alpine stands for excellence.  So, we established a production line to approach Six Sigma levels of quality. Basically, we isolated everything that could produce errors in sound files and eliminated them. It meant twelve additional steps that most sound studios don’t take. That was twelve years and tens of thousands of voice files ago.  The Association’s performance achieved “most reliable vendor” status with Alpine.
Six Sigma Symbol
The Association has also recorded voice files  for Clarion, deCarta, Honda, Raytheon, JCI, IBM, General Motors, and Chrysler in multiple languages since the beginning of automotive GPS systems.
We take our responsibility seriously.  For example, we apply twelve additional Quality Control steps in the pre-recording, recording and editing/naming of our voice files. Our vendors have come to rely on us for perfect performance.  Many times in a corporate environment one workgroup turns over work to the next group that is not QC’d and errors begin to propagate.  There isn’t a central control point monitoring the process from beginning to end.  That’s where we come in.  We QC the process throughout.  One clients navigation voice tree has involved twenty-two people over the years.  We remain constant as the safeguard of the purity of the fileset.  Though each employee is trying hard to do their best but let’s face it, we are humans and not 100% accurate 100% of the time.  So we serve as a an independent QC control point for our clients’ project managers and their workgroups.
The cost of the zero defect production line seems more expensive than a sound studio that just records voice files.  But when you factor in the cost of a recall, the immense negative PR, or worse a lawsuit resulting from errorless voice files that compromised a person’s safety, we are actually a wise investment for the company.  We have not yet produced a million voice files but we have achieved six sigma quality levels in our production line and we’re proud to help keep the driving public safe.  We take measures no one else does to produce the best voice files for telematics applications. I think that’s why we have the clients we do.